More than any other factor, these compilations were responsible for the resurgence of interest in garage rock, which remains high among collectors to this day." Behind those forgotten hits and semi-hits lurked hundreds, if not thousands, of regional hits and flops from the same era, most even rawer and cruder. In his review of the Pebbles series for Allmusic, Richie Unterberger comments: "Though 1972's Nuggets compilation reawakened listeners to the sounds of mid-'60s garage rock, it only focused on the tip of the iceberg. 1 an excellent second step into the garage rock underground. ![]() The point of the PEBBLES compilations has always been that they take it as given that the listener is familiar with the best-known works in the style, such as the Count Five's "Psychotic Reaction." So these tracks are filled with the more obscure and often downright unhinged, like the Elastik Band's "Spazz," one of the most incoherent and bizarre singles ever released by a major label, or the Outcasts' apocalyptic study of disaffection, "I'm In Pittsburgh (And It's Raining)." This makes PEBBLES VOL. ![]() 1 is now a legitimate anthology of rare and vintage garage rock singles from the style's 1960s heyday. ![]() [Originally compiled as a semi-bootleg vinyl compilation in the 1980s, as a thematic follow-up to the classic proto-punk anthology NUGGETS, PEBBLES VOL.
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